Flagship story 05 · December 2–7, 2013
On December 4, 2013, the band’s name was on a dressing-room door at Conan. Three days later, it appeared beneath Dwight Yoakam’s on the Warfield marquee.
Evidence and scope · corroborated chronology with held personal context
The dated chronology and photographs establish the public week. More personal recollections from the same period are held for review.
Dated photographs and the working chronology establish the December 2013 television and Warfield sequence. The private experience is an attributed participant account; the memoir's inconsistent later date is not used to override the stronger chronology.
3 sources · corroborated chronology with held personal context
Los Angeles · December 2–4, 2013
The schedule kept confirming arrival
The chronology places Jimmy Kimmel Live! on December 2 and Conan on December 4. A dated photograph of the Conan dressing-room door records the band's name inside the Warner Bros. lot.
- Supported by
- Dated photograph and performance chronology
- Still open
- Kimmel visual documentation has not entered the archive
Evidence notes
The chronology places Jimmy Kimmel Live! on December 2 and Conan on December 4. A dated photograph of the Conan dressing-room door records the band's name inside the Warner Bros. lot.
The artifact is modest, almost administrative. That is why it works: a printed nameplate makes the public achievement legible without requiring retrospective grandeur.
2 sources · section evidence
Behind the door · working life
The schedule kept moving
National television was one stop inside a six-day sequence of tapings, travel, and performances.
More personal recollections from the same period remain held for participant review.
- Supported by
- Dated chronology and held firsthand record
- Still open
- Personal context is intentionally withheld
Evidence notes
National television was one stop inside a six-day sequence of tapings, travel, and performances. The public record shows the pace without claiming access to every private experience behind it.
A more personal firsthand account from this period remains preserved but is held from the visitor site while its scope is reconsidered.
San Francisco · December 7
The name grew larger outside
Three days after Conan, the Warfield marquee placed The Wild Feathers beneath Dwight Yoakam. Television stages, highways, and another room to play.
- Supported by
- Dated marquee photograph and chronology
- Still open
- The interpretation remains explicitly editorial
Evidence notes
Three days after Conan, the Warfield marquee placed The Wild Feathers beneath Dwight Yoakam. The photograph completes the public side of the week: television stages, highways, and the band's name moving into larger type.
Read with the dressing-room account, the marquee becomes evidence of a widening distance between visible career momentum and private sustainability. That reading is editorial inference, not proof of anyone else's perception.
2 sources · section evidence
Research still open
The story stops where the evidence stops.
- Locate Kimmel production photographs, call sheets, release forms, or broadcast records.
- Invite participant fact-checking without asking others to validate the founding guitarist’s interior experience.
- Resolve the memoir's conflicting year reference against the dated 2013 archive record.